[Menvi-discuss] Fwd: Latest post from The Bulletproof Musician

Chris Smart csmart8 at cogeco.ca
Sun Apr 7 10:48:46 EDT 2013


The below blog post is an excellent reminder for 
those of us who obsess about the mechanics of 
making music, and not actually communicating with the audience. :)

Chris


>From: "Dr. Noa Kageyama" <noakageyama at bulletproofmusician.com>
>Subject: Latest post from The Bulletproof Musician
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><http://mad.ly/73ec53?pact=399601244099430316&fe=1&facebook_like=true>
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><https://go.madmimi.com/redirects/1365328830-bfd5135911fb5ea13ba11add522c0261-ca134e6?pa=399601244099430316>Raw 
>Technique vs. Functional Technique
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>There's an interesting trend in the fitness industry nowadays.
>
>It's called functional strength training, and is 
>a reaction to the observation that raw strength 
>in the gym doesn't always necessarily translate 
>into strength in the real world.
>
>Meaning, being able to bench press 300 lbs. is a 
>pretty impressive display of force, but this 
>kind of strength may or may not transfer to 
>real-world tasks like lifting heavy, 
>awkwardly-shaped boulders out of the ground and 
>loading them onto a truck bed, or fending off 
>linebackers and defensive backs as you strain to get into the end zone.
>
>Thus, functional strength training emphasizes 
>whole movements, not just isolated muscles or 
>joints. Where there is a greater emphasis on 
>compound movements like squats, deadlifts, and 
>overhead presses, which recruit more muscle 
>groups, enhance neuromuscular coordination, and 
>can contribute to the kind of strength gains 
>which help us perform daily activities with 
>greater ease, from getting up off a really deep...
>
><https://go.madmimi.com/redirects/1365328830-7806e3414653271dd403c0f1669fb8fe-ca134e6?pa=399601244099430316>Read 
>More
>***
>
>
>
>The Psychological Skills of Top Performers
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>beyond-practicing-logo-160w
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>How do great artists perform flawlessly to 
>packed houses? How do some musicians 
>consistently advance in even the toughest auditions?
>
>Is it the number of hours they practice? Natural 
>talent? More scales and long tones?
>
>Perhaps, but that's only part of the equation. 
>Performing up to your abilities on stage 
>requires a separate skill set. Skills like 
>anxiety regulation, building confidence, 
>learning how to focus on command, and how to 
>minimize mistakes under pressure.
>
>If you've been frustrated by subpar performances 
>on stage, I'd like to help. 
><https://go.madmimi.com/redirects/1365328830-2ff7dd4eeb25c5ce88ef1ff0a905009e-ca134e6?pa=399601244099430316>Click 
>to learn more about Beyond Practicing - a 
>home-study course for musicians who want to play 
>up to their potential when it counts.
>***
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