[Menvi-discuss] Wands for blind people/workingwithorchestraandense...

Sat Jan 14 20:11:29 PST 2012

Brandon,
	While I can't comment on the met aspect of it, Maureen is in the 
roster, and since you are a member, you should have one.  Let us know if 
you need another copy by contacting us off list.  This has been an 
interesting discussion.

On 1/14/2012 2:56 PM, Brandon Keith Biggs wrote:
> Hello,
> I read that article in the second newsletter about following the
> conductor. It wasn’t really helpful when you’re a soloist, but I
> definitely do all that when I’m in chorus.
> I would like to know though:
> Who’s Maureen Carole Young?
> She sounds like someone who would be good to talk to. What is her vision
> and why don’t I get anything when I Google her name? If she was at the
> Met she would be at least in the Metropolitan's Archives. Did she have a
> stage name?
> Thanks,
> Brandon Keith Biggs
> *From:* Brandon Keith Biggs <mailto:brandonboy13 at comcast.net>
> *Sent:* Friday, January 13, 2012 2:02 PM
> *To:* This is for discussing music and braille literacy
> <mailto:menvi-discuss at menvi.org>
> *Subject:* Re: [Menvi-discuss] Wands for blind
> people/workingwithorchestraandense...
> Hello,
> Everyone has their own idea of what a half note is. The conductor makes
> sure that everyone starts on time. It is also the conductor's job to
> make sure certain sections aren’t going to fast or too slow.
> I watched a Vanclibern (The big piano competition) and the conductor was
> explaining why he was so important. He also explained why it was so
> important for people to follow him rather than him follow the performer.
> He stepped off the stage and said play and it was chaos. It was like
> practice room at its loudest... He then told the pianist to play and not
> pay attention to the conductor. It was OK, but there was some obvious
> discrepancies between the piano and orchestra. Then the conductor had
> the pianist follow the conductor and everything was amazing.
> Granted singing is a little easier to control than a piano in the matter
> of changing keys or rhythm, so that is why Bocelli is able to listen for
> his queues while still knowing the conductor will follow.
> As for the wand needing to be balanced, I am pretty sure there is some
> equation that feels better to the conductor, but they have a big nob on
> one end and a stick sticking out. I’ve not used one, but I think as long
> as the wand is able to move in the hand very smoothly and it isn’t too
> heavy, there won’t be much problem. But I know a conductor will need to
> talk with the developers long and hard to create something usable.
> Thanks,
> Brandon Keith Biggs
> *From:* ayaka.isono at sbcglobal.net <mailto:ayaka.isono at sbcglobal.net>
> *Sent:* Friday, January 13, 2012 9:39 AM
> *To:* 'This is for discussing music and braille literacy'
> <mailto:menvi-discuss at menvi.org>
> *Subject:* Re: [Menvi-discuss] Wands for blind people/
> workingwithorchestraandense...
> Conductors also give phrasing, dynamics, nuance, and other small
> details, not just rhythm. More musicians get together, more difficult to
> agree on how the music should be shaped. Conductors job is to keep the
> orchestra together.
> *From:* menvi-discuss-bounces at menvi.org
> [mailto:menvi-discuss-bounces at menvi.org] *On Behalf Of *Debra Baxley
> *Sent:* Friday, January 13, 2012 10:02 AM
> *To:* 'This is for discussing music and braille literacy'
> *Subject:* Re: [Menvi-discuss] Wands for blind people/
> workingwithorchestraand ense...
>
> If sighted people know rhythm, why would they even need a conductor?
>
> Debra
>
> *From: * menvi-discuss-bounces at menvi.org
> [mailto:menvi-discuss-bounces at menvi.org] *On Behalf Of *SClark6144 at aol.com
> *Sent:* Friday, January 13, 2012 10:46 AM
> *To:* menvi-discuss at menvi.org
> *Subject:* Re: [Menvi-discuss] Wands for blind people/ working
> withorchestraand ense...
>
> A conductor's baton is a visual sign to sighted players.
>
> Maybe you guys are looking for a MAGIC wand.
>
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